Excited as cinephiles are about Warner Brothers brilliant move to make their entire catalog available online, I and others hoped that one of the titles to be made available soon would be Richard Rush’s anarchist cop satire, FREEBIE AND THE BEAN (1974). Here’s a snippet of my review from Quentin Tarantino’s 1999 Film Fest:
FREEBIE & THE BEAN is still disturbing after all these years. Amid some of the greatest car chases in American film history, our heroes are crude, bigoted and oblivious to their swath of destruction. The film is particularly homophobic, or the attitude is, with lots of “fag” putdowns and the major bad guy is a transvestite. But Caan and Arkin are PERFECT as the bickering team. I’ve never warmed much to Caan, but this might be his loosest and funniest performance. Arkin is as Mexican as Chuck Heston, but he’s always watchable and even funnier. Rush said that the pair did not get along, which doesn’t seem surprising, but that tension fits the combative duo. And Quentin was right, when Arkin grills his wife, the interplay between him and Valerie Harper is magnetic.
What makes the film problematic at first glance is the cavalier way the pair run people over, including a school marching band, or even shoot a nurse bystander. However, the people around these maniac cops actually do see them as dangerous, especially their captain, well-played by Alex Rocco in a terrific scene. Even Loretta Swit verbally slaps down Caan at the end for his brutish idiocy, and she’s right. But honestly, the reason this was a hit and still holds up is the fantastic action, a tribute to the long-gone Hoopers of the era. The car chases are still jaw-dropping, and would never be done today. The gun battles are filmed with quick violence and are very effective, particularly a hardcore “shoot-in” at a bowling alley bathroom. Even Freebie’s homophobia is offset by the fact that “The Transvestite” (as labeled in the credits) kicks the total shit out of him at the climax.
And word from Mr. Beaks over at Ain’t It Cool News confirms our joy. Just to get you in the mood, here is 42 violent seconds of FREEBIE AND THE BEAN:
At least with most of America for now. My grade: A. On a curve.
Here’s vampire Bill Kristol, one of the architects of the Iraq War and consistently wrong pundit, crystallizing the happy denial of today’s GOP leadership in
One of the greatest, most controversial writers of the 20th century and beyond, 